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MAX DA YUNG WANG

Max Da-Yung Wang was born in Taipei, Taiwan. He began his career as a fashion photographer.

​However, still photographers can only work within a single frame to capture a moment. As Max found himself thinking more and more about the moments happening in the time and spaces between still frames, he began to explore cinematography.

 

After working as camera assistant and shooting some music videos, Max earned his Master of Fine Arts in the Cinematography Program at the American Film Institute Conservatory. He then worked his way up through the ranks from lighting technician and gaffer to cinematographer.

Max’s experience in the lighting department has shaped his constant interest in exploring new technologies and tools for further improving his craft and finding new ways to tell stories with light. 

Max has shot many visually interesting features in Asia, including PING PONG THE TRIUMPH, LOOKING UP, EXIT NO. 6, as well as ANIMAL WORLD, which was one of the first Chinese feature films acquired by Netflix.  His US feature films include THE GIRL FROM THE NAKED EYE and BOSS N’ UP.

Max has also shot numerous commercials for brands including L’Oréal, Mercedes-Benz, Red Bull, and McDonald’s. He has also shot many music videos, with artists including Snoop Dogg and Lil Jon.

Fluent in both English and Mandarin, Max has worked in the US, many countries in Asia and Europe, and South Africa. He is based in Los Angeles.

Animal World

“Han Yan’s determinedly stylistic approach and the impressive work of cinematographer Max Da-Yung Wang help sell this potent package of pure adrenaline.”

 -Filminquiry.com  

The Devotion of Suspect X

“Craft contributions, from Max Da-Yung Wang’s moodily prowling camerawork to Michiru Oshima’s affectingly rueful score, are well-attuned to the small-town atmosphere.”   

-Variety

The Girl from the Naked Eye

“The technical credits are sound, particularly cinematographer Max Da-Yung Wang’s sinister scopings.”  -The Hollywood Reporter

 

“The Girl from the Naked Eye" opens with a lurid cover from an old pulp detective magazine, and that's the look it achieves…it looks terrific…It was a pleasure to watch...The movie seems destined for DVD, but it makes a stop this week at three theaters, and would benefit by being seen on a big screen.” -Roger Ebert

US Rep:  Sandra Marsh & Associates

 

Rocco Hindman - Features 

Rocco@sandramarsh.com

Michael Vasquez - TV & Commercials
Michael@sandramarsh.com

Tel: +1 310 285 0303

direct email

maxdop@gmail.com

 

SELECT WORK

FEATURES

PING PONG THE TRIUMPH  orange image Chao Deng Baimei Yu

LOOKING UP orange image Chao Deng Baimei Yu

ANIMAL WORLD enlight pictures Yan Han

THE DEVOTION OF SUSPECT X enlight pictures Alec Su

DEVIL + ANGEL orange image Chao Deng  Baimei Yu

WHAT WOMEN WANT bona china Daming Chen

BULL BROTHERS red forest film Jonathan Lim

motion capture animation

GOOD-FOR-NOTHING HERO starlight FU YUNG

BU BU ZHUI HUN 3D shanghai film CHENG GIAN

BALLISTIC blue sky production Lawrence Lau

THE GIRL FROM NAKED EYE Lifted production David Ren

EXIT No. 6 jump boy film Yu-Hsien Lin

BOSS’N UP snoopadelic  film Dylan C. Brown

BET Best Movie of the Year Nom.

FIST OF THE WARRIOR genone film Wayne Kennedy

KILLERS 2 the asylum David Michael Latt

COMMERCIAL   selected

L'Oréal romance studio Maren Hwang

Lego new life film Nancy Guo

Mercedes triangle production Kuo-An Lai

Panasonic a new life film Nelson Cho

McDonald bright light film Chin-Yen Yee

Red Bull Parkour mic film Patrick Van Hautem

ZDF october film Rosa Peng

MSN october film Stanley & Ezra

Zenergy dna Christopher Halmo

Alpine radical film Tsutomu Shimada

Creative DAP a new life film Wayne Peng

Max Da-Yung Wang   cinematographer

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