MAX DA YUNG WANG
Max Da-Yung Wang was born in Taipei, Taiwan. He began his career as a fashion photographer.
However, still photographers can only work within a single frame to capture a moment. As Max found himself thinking more and more about the moments happening in the time and spaces between still frames, he began to explore cinematography.
After working as camera assistant and shooting some music videos, Max earned his Master of Fine Arts in the Cinematography Program at the American Film Institute Conservatory. He then worked his way up through the ranks from lighting technician and gaffer to cinematographer.
Max’s experience in the lighting department has shaped his constant interest in exploring new technologies and tools for further improving his craft and finding new ways to tell stories with light.
Max has shot many visually interesting features in Asia, including PING PONG THE TRIUMPH, LOOKING UP, EXIT NO. 6, as well as ANIMAL WORLD, which was one of the first Chinese feature films acquired by Netflix. His US feature films include THE GIRL FROM THE NAKED EYE and BOSS N’ UP.
Max has also shot numerous commercials for brands including L’Oréal, Mercedes-Benz, Red Bull, and McDonald’s. He has also shot many music videos, with artists including Snoop Dogg and Lil Jon.
Fluent in both English and Mandarin, Max has worked in the US, many countries in Asia and Europe, and South Africa. He is based in Los Angeles.
Animal World
“Han Yan’s determinedly stylistic approach and the impressive work of cinematographer Max Da-Yung Wang help sell this potent package of pure adrenaline.”
-Filminquiry.com
The Devotion of Suspect X
“Craft contributions, from Max Da-Yung Wang’s moodily prowling camerawork to Michiru Oshima’s affectingly rueful score, are well-attuned to the small-town atmosphere.”
-Variety
The Girl from the Naked Eye
“The technical credits are sound, particularly cinematographer Max Da-Yung Wang’s sinister scopings.” -The Hollywood Reporter
“The Girl from the Naked Eye" opens with a lurid cover from an old pulp detective magazine, and that's the look it achieves…it looks terrific…It was a pleasure to watch...The movie seems destined for DVD, but it makes a stop this week at three theaters, and would benefit by being seen on a big screen.” -Roger Ebert
US Rep: Sandra Marsh & Associates
Rocco Hindman - Features
Michael Vasquez - TV & Commercials
Michael@sandramarsh.com
Tel: +1 310 285 0303
direct email
SELECT WORK
FEATURES
PING PONG THE TRIUMPH orange image Chao Deng Baimei Yu
LOOKING UP orange image Chao Deng Baimei Yu
ANIMAL WORLD enlight pictures Yan Han
THE DEVOTION OF SUSPECT X enlight pictures Alec Su
DEVIL + ANGEL orange image Chao Deng Baimei Yu
WHAT WOMEN WANT bona china Daming Chen
BULL BROTHERS red forest film Jonathan Lim
motion capture animation
GOOD-FOR-NOTHING HERO starlight FU YUNG
BU BU ZHUI HUN 3D shanghai film CHENG GIAN
BALLISTIC blue sky production Lawrence Lau
THE GIRL FROM NAKED EYE Lifted production David Ren
EXIT No. 6 jump boy film Yu-Hsien Lin
BOSS’N UP snoopadelic film Dylan C. Brown
BET Best Movie of the Year Nom.
FIST OF THE WARRIOR genone film Wayne Kennedy
KILLERS 2 the asylum David Michael Latt
COMMERCIAL selected
L'Oréal romance studio Maren Hwang
Lego new life film Nancy Guo
Mercedes triangle production Kuo-An Lai
Panasonic a new life film Nelson Cho
McDonald bright light film Chin-Yen Yee
Red Bull Parkour mic film Patrick Van Hautem
ZDF october film Rosa Peng
MSN october film Stanley & Ezra
Zenergy dna Christopher Halmo
Alpine radical film Tsutomu Shimada
Creative DAP a new life film Wayne Peng